domingo, 25 de marzo de 2012

22 / Little portrait with sound track


In a stormy day like this, the one I was walked two metres over the street, sliding as a perfect dancer among the liquid images on the wet ground.  I could touch their souls and I wonder if they reached mine. I heard our voices and I heard our laughter from somewhere high above.

We had been conquering some plot in building works. That was the last time for the dirty perfection of the cheerful troop. Hand in hand, we were climbing a sand stack, jumping planks, trampling mud, singing a mocking song. As night was hiding the shadows, the war at last was over. Someone made a flag with his sweater tied to a steak. But there was no victory, nor defeat, instead, it was about time to go back home.

Autumn had come and I can still remember the fallen leaves which, battered by the rain, looked like the rests of a wild party. The paving became a mirror to the lampposts’ yellow light. The moon’s nose appeared from time to time among the clouds. I gazed at all those things, suddenly so important and mysterious, from a new watchtower in my brain. And I knew for certain that someday I would remember, I would miss, that one I was. 


martes, 20 de marzo de 2012

21 / SIR ALGERNON PARSLEY


Sir Algernon Parsley, well known in learned circles for his valiant contributions to postmodern semiotic epistemology, after having worked on his acclaimed but controversial essay Towards the profound roots of ancient Celtic hermeneutic, was charged by  EUPHORIA (European Union’s Popular and Historical Operation for Reeducation of Identity Agency) to undertake  anthropological research in order to uncover the core of semantic intercultural symbols where, possibly, the European idiosyncrasy may be found. Parsley worked on this ambitious project assiduously, devoutly, compulsively. A good example of this execution (in more than one sense) is the English adaptation of the famous Rafael de León’s Ojos verdes.

On the bawdyhouse’s doorjamb she leant,
Gazing at the opening of the night of May
Men passed by and she smiled at them
Till I stopped my horse at her doorway

Honey, give me a light and I'll give you this flower” 
"Come and take it, so my lips will give you fire"
I dismounted to glance closer at her face 
and those eyes, to me, were bright stars of May

 Those green eyes, green as basil is green
 Green as green wheat, green as lemon is
Those Green eyes, green with dagger's light 
They are deeply stuck in my very heart
To me, there are no more suns, no moon nor stars,
It’s only those eyes that make me feel alive
Those green eyes, green as basil is green

We saw the morning breaking from the room
The Vela Tower announced the dawn
You left my arms in the clear daybreak
And in my mouth, your cinnamon and mint taste

“Honey, I want to give you money for a new dress”
“You’ve done your bit for me, I need no more”
So, I went away fast as the wind, riding my horse
And, never after, have I lived such a beautiful night

Wonderful version in this magic copla-flamenco- jazzy way by Miguel Poveda.


miércoles, 14 de marzo de 2012

20 / DIVINE DINAH


Do you like jazz? Do you like jazz singers? Do you like those wonderful voices, true sources of inspiration and magic? I love then all, from Bessie Smith to Diana Krall. However, my favorite one is, without a doubt, Dinah Washington. Don’t ask me why.

Dinah Washington, born Ruth Lee Jones (August 29, 1924 – December 14, 1963), was an American blues, R&Band jazz singer. She has been cited as "the most popular black female recording artist of the '50s", and called "The Queen of the Blues". She is a 1986 inductee of the Alabama Jazz Hall of Fame, and was inducted into the Rock and Roll Hall of Fame in 1993.



miércoles, 7 de marzo de 2012

19 / ENOUGH (fine-tuning our writing 2)


It was very early in the morning and Martin was alone. Still in bed, hands under his head, he felt inevitably awake. “Thoughts roam around unsuspected places when sleep flyes away” he murmured when he realized he was missing the bells. The bells of the alarm clock, the bells in the school, the bells of the church, all those damned bells he had hated through his whole life, resounded now in his mind like echoes of joyful. That was an unexpected feeling since he certainly went into retirement as a prisoner reaches his release. Fed up of schedules, timetables, bosses, at last, fed up of people in general and particularly one by one, retirement appeared to his mind as a new brilliant world  full of vague promises of liberty, revived passions, and tranquility of the soul. But that morning had broken odd and his living apart paradise seemed, under the first pale sun lights, a huge amount of empty time.  There was a worm growing inside Martin. There was a worm scratching deep, in the soft thing. “Enough!” he exclaimed, “enough!”
The man jumped out of the bed, dressed up and made some tea, like a captain commanding his soldiers, with discipline and martial accuracy. Then, being the universe controlled again, took a book and started to read by the bedroom window. Morning seemed perfectly calm and quiet except for the birds singing outside, in the garden, mainly in the great old elm, which Martin’s great grandfather had planted according to the family record. That old tree had had a life longer than all of them. On the one hand, that great tree, on the other hand, those little lives, with their little business, insignificant troubles, pusillanimous joeys and sadness, little deaths and births.  All of them are the same as those birds which stirred up the leaves. “A huge amount of useless efforts” thought the worm. And Martin: “enough, enough!”
He closed his eyes and, suddenly, there was such a deep silence that Martin was affected. He looked again through the window and discovered a boy under the tree. He surprised he didn’t noticed him before, since the vision was totally out of the context. The boy was there, deeply concentrated, reading a book, as it was his habitual place of reading, a corner of his own garden. After a while looking at the boy but still not very sure about the reality of his vision, Martin decided to creep downstairs and, carefully, he opened the glass door onto de garden. He paced to the tree. “It seems a good book, doesn’t it?” For the first time, the boy looked away from the pages and, smiling in a shy but charming way, said: “It is the book of my life”.
Astonish, Martin looked at the boy for a long time while the boy got back to his book. He didn’t understand anything. Martin thought (or was the worm?) that that boy could be himself, or his father, or his grandfather many years before. “So, this is thing, the old wheel of eternal return start a new, the long series of little lives under the tree never end” And he thought (or the worm) that all the business under the tree are nothing but a huge amount of empty time. “ENOUGH!” shouted Martin. And the boy, suddenly, disappeared.